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Future of Music Newsletter #20 (November 14, 2002)

To subscribe, please send an email with the title subscribe to subscribe@futureofmusic.org

11.14.2002

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Hey friends,
We have two big announcements to share with our supporters. First, our Policy Summit is shaping up very quickly and we want to give our supporters one last chance to register at a special low price. We've added a lot of exciting new participants in the past two weeks and firmed up the panel agenda, so read on!

Second, we're just days away from the release of a research report that we've been working on for the past nine months called "Radio Deregulation: Has it Served Citizens and Musicians?" We will be releasing this report on Monday, and we invite you to the event or to visit our website to download a copy for yourself. More details below.

  1. Online registration is now OPEN for the Future Of Music Policy Summit: January 5-7, 2003

    The third annual Future Of Music Policy Summit is scheduled for January 5-7, 2003 at Georgetown University in Washington, DC. As with last year, we will bring a diverse group of artists, academics, lawyers, business
    leaders, technologists and policymakers together for an engaging and in-depth look at the most critical issues at the intersection of music, law, policy and technology.

    o o o o o NEWLY-CONFIRMED PANELISTS o o o o o o
    Ira Glass NPR's This American Life
    Patti Smith Musician
    John Flansburg Musician, They Might be Giants
    Adam Thierer Director of Telecommunications Studies, Cato Institute
    Jane Ginsburg Professor, Columbia University Law School
    Joe Kraus Director, Digitalconsumer.org
    Dawn Chmielewski San Jose Mercury News
    Mark Cooper Director of Research, Consumer Federation of America
    Ann Chaitovitz Director of Sound Recordings, AFTRA
    Gigi Sohn President, Public Knowledge
    Yochai Benkler Professor, NYU School of Law
    Bruce Lehman President, International Intellectual Property Institute
    Chris Amenita Senior Vice President, ASCAP

    An impressive list of impresarios, rabblerousers, brainiacs, and raconteurs, but of course, this is just the list of the most recent additions. Check the website here for the full list of panelists or to learn more about these folks.


    SUMMIT EXPANDS TO THREE DAYS
    ----------------------------------------------------
    Monday and Tuesday's programs will include five panels each day, keynote speeches, musical performances, networking opportunities, and other events.

    In addition, we are building out a program on Sunday afternoon so that working musicians with day jobs can also have a chance to attend. Sunday, January 5 will include three musician-specific panels that will focus on practical matters for working musicians, and also serve as a "primer" forthe next days' discussions.

    SUNDAY'S PANELS
    ----------------------------------------------------
    Panel 101: The Business of Music
    This panel tackles some of the cloudy subjects that confound even music veterans. Who registers copyrights? What are digital royalties and who collects them? How can you make smarter choices about booking a tour, recording music, being insured, using the web, avoiding fatal mistakes, keeping control? Artists will ultimately make their own choices, and this panel seeks to introduce the full range of options.

    Making Your Laws
    Every year policies and laws are made that directly impact the lives of musicians. In this upcoming congressional session there are no less than six bills that will affect your access to the radio, the ownership of your copyrights, the structures and rates of your future royalties and your freedom to speak, sing and perform publicly. Meanwhile, the FCC is
    considering lifting ownership caps that would lead to further consolidation. How can musicians connect with these issues in a way that brings change on a local, state and national level? We'll discuss the political issues you need to care about in 2003 before they impact your livelihood, creativity and speech in 2004 and beyond.

    Ian MacKaye/Artist Roundtable panel
    Moderated by Ian MacKaye of Dischord Records and the band Fugazi, this panel will bring together a half-dozen musicians to talk about the choices they have made and are making about touring, recording, ownership and control, the simple power of saying no and saying yes, and their definitions of success.

    Sunday's program is free for working musicians. If you'd like to attend, please check in at this webpage as space is limited and we can only take folks on a first-come, first-served basis. If you've already registered or applied for a musicianscholarship, you don't need to check in here as well.


    MONDAY and TUESDAY'S PANELS
    ------------------------------------------------
    State of the Union
    2002 saw the launch of Musicnet and Pressplay, while legal and PR efforts to counteract the effects of P2P continued. But there are bigger issues on the table including the rise of artists' voices through the organizations like FMC, RAC, and AEC about major label practices, the constitutionality of copyright extension, privacy issues, and a sinking music economy. What does 2003 hold in store for musicians, consumers, and the music community?

    Radio: Consolidate or Regulate?
    Corporate consolidation is not unique to the entertainment industry, but it's certainly having a profound effect on musicians. In November 2002, the FMC released a study of the impact of radio consolidation on artists
    and citizens. This panel uses the study as a starting point to discuss radio consolidation – is it a plus or minus for artists, music fans and citizens? Is the deregulation of radio a blueprint for other media, a cautionary tale, or both? And can radio be reformed, or will new technologies simply step in to replace it?

    The Tangled Web of Webcasting
    We've had legislation, negotiation, arbitration, litigation…and now, more legislation in the effort to develop a usable framework to collect and distribute royalties for digital performance of recorded works. What is the status of this issue? Where is it heading in 2003? And why has this been so difficult to resolve? This panel brings together some of the most
    influential voices in the debate to talk about the future of webcasting.

    Musicians and Health Insurance
    Not a week goes by that you don't hear about a benefit being organized to help a musician with no health insurance cover medical bills. Some musicians work extra jobs just to afford or obtain coverage, requiring them to juggle a music career with a full-time job to maintain benefits. Others give up, brushing off this necessity as a "luxury." Why are musicians far
    less likely to be covered by basic health insurance? Is the problem economics, structures, or access to information? What can we do to improve musicians' ability to secure affordable health insurance?

    Retail in the 21st Century
    Three years ago it looked like digital distribution and P2P networks would lead to grave consequences for traditional retail. With the industry showing its lowest sales numbers in years we want to look at the impact of
    technology on retail. What's the future of retail – both online and offline? How can terrestrial retail and distribution use the web to attract music fans and survive in this new era?

    Major Labels: Can they Innovate?
    Major labels rely on time-tested techniques when signing and dealing with artists. Many of these structures are increasingly criticized as leading to inequitable partnerships. In response, some labels are taking bold steps, signing bands to unique deals, offering health insurance, sharing profits. Are these labels setting new precedents, or just finding ways to attract musicians in a competitive marketplace? Major label representatives and top-level artist managers discuss ways that the major labels can – and should – innovate.

    Complete Control
    In an environment where digital copying and distribution threaten existing business models, the entertainment industry is pushing for legislative and technological solutions to protect its content. Consumer groups and telecommunications companies reply that the entertainment industries are going too far. What does this fight mean for artists and the public? What about the balance with privacy issues? And where does the digital rights
    management debate go in 2003?

    The Search for A Legitimate Digital Marketplace
    A full 30 months after "Napster Summer", the music industry is slowly coming forward with legitimately licensed subscription services to compete with unlicensed peer-to-peer networks. Is the industry doing enough to respond to demand? If so, can they "compete with free?" If not, is it time to explore compulsory licenses for certain digital transmissions? How would these licenses work and who would they most serve?

    2003 Policy Agenda
    2003 will be a critical year as a wide range of issues of concern to musicians and music fans are debated in Congress, the Administration and at the FCC. In addition, some state legislatures are weighing in on issues like major label accounting and California's seven-year statue. Where are these issues heading? How does this impact the various interests in the music community? How can musicians impact these policy decisions?

    For more information about the schedule or Sunday's program go here


    CLE ACCREDITATION AVAILABLE
    -------------------------------------------------------
    As in years past, practicing attorneys will be able to count their attendance at the Policy Summit panels towards CLE credits. For 2003, the CLE accreditation will be handled by Georgetown University Law School. More information will be posted on the website as it becomes available.


    HOTEL BLOCK CONFIRMED
    -------------------------------------------------------
    We have also reserved 40 rooms from January 4 -7 at the Marriott at Georgetown University Conference Center. This hotel is on the GU campus and only a few hundred yards from Gaston Hall, making it very convenient. Call 1.800.228.9290 or 202.687.3235 and mention the "Future of Music Coalition" to receive the discounted rate of $145. Reservations must be made by December 27, 2002 to receive the special rate. Please visit their website to learn more about their services, rooms, covered parking, and other amenities.


    SPONSOR LIST CONTINUES TO GROW
    -------------------------------------------------------
    We'd like to thank the sponsors who have already demonstrated their support
    for the Summit:
    ASCAP
    Pearl Jam
    Microsoft
    BMI
    AFTRA
    AFM
    SESAC
    DMusic
    Neuros Audio
    Multicast Technologies
    CD Baby
    Epiphone
    Just Plain Folks
    Electronic Frontier Foundation
    Georgetown University Department of Art, Music & Theatre
    Georgetown University Communication, Culture and Technology
    Check our website for specific events hosted by our sponsors!

    Would you or your company like to be a sponsor of the 2003 Summit? We have a variety of sponsorship opportunities available that can accommodate any budget. Please contact our sponsorship coordinator, Megan Frampton at 718.965.0728 or meganframpton@yahoo.com to learn more.


    WIN A GUITAR!
    -------------------------------------------------------
    Epiphone Guitars has graciously donated an AJ-18S acoustic guitar (list price: $500) for a giveaway at the Policy Summit. All registered participants will be eligible for the drawing. Just one more reason to sign up!


    MUSICIANS' SCHOLARSHIPS
    -------------------------------------------------------
    Because of some generous contributions from our sponsors, a certain number of musicians are able to attend the event on a scholarship status. We would encourage any working musicians who want to engage in the music/tech debate and better understand the issues affecting their livelihood to fill out an application online here

    Scholarships are for musicians only. We will review the online applicationsand reply to folks as quickly as we can.


    PHO DINNER
    -------------------------------------------------------
    How could we host an event like this and not kick things off with a Pho dinner on Saturday night (right after the Patti Smith show)? Visit this page for more information about how to RSVP:
    http://www.futureofmusic.org/events/summit03/pho.cfm


    EVENING CONCERTS
    -------------------------------------------------------
    In conjunction with this year's Summit, the Artists Empowerment Coalition will be hosting evening concerts at various venues in Washington, DC on with some very special musicians who are members of their coalition. More about the concerts and performers will be posted on the website as we confirm, but you can learn more about the AEC and its members here


    HELP US TO MAKE THIS THE MOST SUCCESSFUL SUMMIT YET
    -------------------------------------------------------
    We want Gaston Hall to be packed with folks who want to participate in this vigorous debate about music, law, technology and policy, so please let your colleagues, students, clients, customers, friends and family know about this important event. Interested folks should be encouraged to visit the Summit's homepage to learn more about registration, schedules, sponsoring opportunities, and the scholarships we're making available to working musicians. Want to help us even more? Contact our volunteer coordinator Kendall Nordin at kendall@futureofmusic.org to see how you can help either before or during the event.

  2. FMC Releases Results of Radio Consolidation Study

    For the past nine months, the FMC has been conducting a rigorous study of the effects of radio deregulation on musicians and citizens. The research, funded by a grant from the Rockefeller Foundation, will be released on Monday, November 18 at a special press event where we'll briefly review our findings.

    FMC Releases "Radio Deregulation: Has it Served Citizens and Musicians?"
    11:00 am – 12 noon
    The Willard Hotel
    1401 Pennsylvania Ave NW, Washington, DC Tel: 202 628 9100

    We'd encourage anyone who is interested in attending this event to join us. Just shoot a quick email to kristin@futureofmusic.org so we can get a basic head count.

    Starting on Monday you can also visit this webpage to review the full report or the executive summary:


  3. How are we doing?

If you have any feedback, questions, or suggestions please send an email to suggestions@futureofmusic.org, and let us know how we're doing.


Thanks for your support and see you next time.

Jenny Toomey
Michael Bracy
Brian Zisk
Walter McDonough
Kristin Thomson
Peter DiCola



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PDF of document