Board of Directors: 2015
Peter DiCola Chair bio
Vickie Nauman bio
Kristin Thomson bio
Emily White bio
Merrill Garbus bio
Dick Huey bio
Ken Umezaki bio
Benji Rogers bio
Thao Nguyen bio
Ryan Chisholm bio
Michael Bracy, Walter McDonough, Brian Zisk
Peter DiCola is an associate professor of law at Northwestern University. He received his J.D. from the University of Michigan Law School in May 2005. After law school, he served as a law clerk to the Honorable Thomas L. Ambro of the United States Court of Appeals for the Third Circuit. He received his Ph.D. in economics, also from the University of Michigan, in 2009. His dissertation concerned regulation of the radio and music industries. While in graduate school, he worked with the Future of Music Coalition as Director of Economic Analysis from 2000–2004 and served as full-time Research Director from 2005–2006. He is the co-author, with Kristin Thomson, of Radio Deregulation: Has It Served Citizens and Musicians? (2002) and the author of False Premises, False Promises: A Quantitative History of Ownership Consolidation in the Radio Industry (2006). More recently, he has co-written a book with Kembrew McLeod of the University of Iowa called Creative License. The book is about the licensing of digital samples in the music industry and was published Duke University Press in March 2011. He is part of the team for the ongoing Artist Revenue Streams project, concentrating on analyzing the data from a nationwide survey about musicians’ revenue. His other current research focuses on copyright policymaking, licensing transactions in the music industry, and the relationship between the two.
Kristin is a community organizer, social policy researcher, entrepreneur and musician. After graduating with a BA in Sociology from Colorado College in 1989, Kristin moved to Washington, DC where she worked for two years as a national action organizer for the National Organization for Women. She left NOW in 1992 to make a full-time commitment to Simple Machines, an independent record label she co-ran with Jenny Toomey. Over the label’s 8-year history, Simple Machines released over seventy records and CDs, published the Mechanic’s Guide to Putting Out Records, Cassettes, and CDs, and organized three high-profile music festivals in Washington, DC. While running the label, Kristin and Jenny also wrote, recorded and released four highly-acclaimed Tsunami records on Simple Machines, and toured the US, Canada and Europe extensively.
Kristin joined Jenny Toomey at the Future of Music Coalition in late 2000 to oversee project management, research and event programming, including Future of Music Policy Summits from 2002-2007. In 2011-13, Kristin became a consultant for FMC, and has served as Co-Director of the multi-method Artist Revenue Streams research project. She was also the main author of Arts Organizations and Digital Technologies, released by Pew Research Center’s Internet & American Life Project in January 2013, and works with consumer privacy expert Ashkan Soltani. She lives in Philadelphia with her husband Bryan Dilworth, a concert promoter, and their son, where she also plays guitar in the lady-powered band, Ken.
Co-Founder & Manager - Whitesmith Entertainment & Readymade Records
Emily White is the co-founder of Whitesmith Entertainment, a New York and Los Angeles management firm specializing in music comedy and sports. Whitesmith’s roster includes Brendan Benson, Hockey, Sydney Wayser, The Hush Sound, Urge Overkill, Eric Burdon, and The Autumn Defense. The firm’s comedy division, headed by Keri Smith Esguia has launched the careers of W. Kamau Bell, Sara Benincasa, Janine Brito, and Kevin Avery with Smith most recently executive producing Bell’s FX show, Totally Biased, along with Chris Rock. Additionally, White founded the company’s Sports management division following the 2012 Olympics with indie rock ‘n’ roll swimmer and gold medalist, Anthony Ervin developing Ervin’s presence and brand with tactics rooted in modern music marketing. White’s background spans the music industry specializing touring and artist development via sustainable models rooted in technology and fan engagement. Additionally White launched Readymade Records & Publishing with Brendan Benson in 2012 overseeing releases including Cory Chisel & The Wandering Sons, Young Hines, The Lost Brothers. White and Readymade are currently prepping the launch of The Howlin’ Brothers’ Benson produced full-length, Howl, for March of 2013 featuring Warren Haynes. Emily White is a proud member of the CASH Music board, advising on the evolution of direct to fan models to help all artists build long and sustainable careers.
Vickie Nauman is an accomplished and respected digital music executive who specializes in digital media and content strategy, the intersection of technology and music, and global business development. Her diverse digital experience includes starting up and running the US business for 7digital as President, North America, leading the global partnerships for wireless digital music system Sonos, founding consultancy and advisory firm CrossBorderWorks and working on projects in US, Europe and China. She also created the online strategy and service for boutique Seattle music station KEXP, and did content development for one of the first legal digital services MusicNet (RealNetworks JV) in 2001. Prior to her entry into the digital realm, she ran marketing programs and produced live broadcasts in traditional radio in the NPR network and started out at Procter & Gamble. She earned a 2006 MBA from the London School of Economics, New York University, and HEC-Paris, in the collaborative executive program TRIUM.
Musician and songwriter, t-U-n-E-y-A-r-D-s
Merrill Garbus has performed as tUnE-yArDs since 2009, and that band name has always been synonymous with forward movement—whether because of her explosive performance style or the always-surprising way in which her songs unfold. First gaining notice with the debut BiRd-BrAiNs, which The New York Times called “a confident do-it-yourselfer’s opening salvo: a staticky, low-fi, abrasive attention-getter,” Garbus forged a reputation as a formidable live presence through relentless touring. In 2011, tUnE-yArDs released its second album, w h o k i l l, a startling and sonically adventurous statement that led to a whirlwind period where Garbus and bassist Nate Brenner accrued accolades from critics (including the #1 spot on the Village Voice’s 2011 Pazz and Jop poll), performed in front of increasing numbers of rapturous crowds around the world, and collaborated with the likes of Yoko Ono and ?uestlove. Nikki Nack is the stunning third album by the Oakland-based band. A complex, textured statement that opens with a clarion call to ‘Find A New Way’ and spends its 13 tracks getting there, it’s a showcase of how Garbus’s songwriting has blossomed, and a testament to how current technologies can combine with themes from the past—Saturday mornings spent watching Pee-Wee’s Playhouse, puppet shows based on Jonathan Swift’s A Modest Proposal, hard days made less so by the refuge provided by top-40 radio—to create something utterly original.
Dick Huey is the founder of Toolshed, a company that provides digital strategy, digital and brand/band marketing, and content acquisition services to entertainment companies and artists, consumer brands, and digital music services. His company is part of a new breed of marketing companies that develop partnerships with select artists. Current and past clients include Merge Records, Beggars Group, Spotify, Red Mountain Resort, and Red Bull. Through Toolshed, Dick has also developed top-level digital strategies for artists such as The Civil Wars, MNDR, Ani DiFranco, Sufjan Stevens, The Arcade Fire, and Aimee Mann. He is a founding new media committee member of A2IM, a past board member representing Matador Records at SoundExchange, and has held advisory board roles at CASH Music, TuneCore, and RoyaltyShare. Prior to his work with Toolshed, he launched and headed the New Media department at the Beggars Group (XL Recordings, 4AD, Matador Records, Rough Trade) from 1997 to 2001, licensed the Group’s groundbreaking digital catalog, and developed the Group’s digital strategy. He has managed the careers of several music artists signed to Kill Rock Stars, Simple Machines, Beggars Banquet, and Glitterhouse Records.
Digital Daruma (President)
Ken is an angel investor and business advisor for digital music startups, through his company Digital Daruma, with a specific focus on artist and b2b music and media service companies. He is also an experienced music business executive, focusing on business development, strategy and fundraising for the companies he works with. His past experience includes 25 years in financial services trading, asset management and senior management positions. He is also an experienced musician, and currently plays bass in the band Fifth of Bourbon. Lastly, he is involved in a number of music foundations and academic organizations, including the national board of Little Kids Rock, Future of Music Coalitionand advisory board positions at New York University, Berklee College of Music, and Worcester Polytechnic Institute.
Musician and songwriter, Thao & the Get Down Stay Down
Thao Nguyen is a musician, songwriter and activist who leads the band Thao & the Get Down Stay Down. Having grown up in Falls Church, VA, Thao first picked up a guitar at the age of 12 and began performing in a pop country duo in high school. She spent most of her 20s touring, supporting one critically acclaimed album after another. She’s worked with a laundry list of vaunted artists including Andrew Bird, Mirah, Laura Viers and producer Tucker Martine. She even toured the U.S. with the nationally syndicated NPR radio program “Radiolab.” But a little over a year ago, Thao stopped and settled finally in San Francisco. There she spent time establishing a life off the road. That included thinking about things besides music and participating in her community, most notably advocating for those incarcerated in the SF county jail and CA state prison system. At the end of that transformative period, Thao collected her work and stepped into the studio with producer John Congleton (St. Vincent, Bill Callahan, Explosions in the Sky, The Walkmen). The result is We the Common, a major step forward from this already-beloved artist. The album is raw and rollicking, homemade and reckless, 12 songs capturing this utterly unique writer and performer like never before.
is an artist manager at Nettwerk Music Group, where he represents Christina Perri, Madi Diaz, Good Old War and Giovanni James with his co-manager/partner Tom Gates. Since her debut in 2010, Christina Perri has sold over 1 million albums and 15 million singles worldwide. Good Old War has modestly built themselves to be one of the most active touring bands in America playing over 175 shows in 2012 alone. Indie/Pop Siren Madi Diaz has just released her highly anticipated new album, Phantom on Nettwerk Records. Phantom received over 120,000 album track streams in the first 7 days on Spotify. Giovanni James is the newest addition to Ryan and Tom’s roster, signed to Warner Brothers Records in 2014. Along with his role as artist manager, Ryan also serves as an A&R for Nettwerk’s label and publishing company. His first signing was Chris Batson, a 22-year old singer-songwriter from Orlando, FL who’s recently been covered by BET, Vibe, Complex and MTV Buzzworthy as one of the “artist to watch” in 2014. In 2011, Ryan (along with Rahim Sonawalla and Abe Burns) co-founded Hollywood Hack Day, which is a two-day event that brings together the top developers and designers in Southern California to create the next generation of entertainment based web and mobile applications. Ryan was also named as one of Billboard’s 30 under 30 “Young Execs You Need To Watch” and one of IQ Magazine’s top 10 “New Bosses” in 2011.
In 2011, Ryan (along with Rahim Sonawalla and Abe Burns) co-founded Hollywood Hack Day, which is a two-day event that brings together the top developers and designers in Southern California to create the next generation of entertainment based web and mobile applications.
Ryan was also named as one of Billboard’s 30 under 30 “Young Execs You Need To Watch” and one of IQ Magazine’s top 10 “New Bosses” in 2011.