Metadata is all that information that describes and identifies your music. In some cases, metadata is text – composer and musicians’ names, dates, genre. In other cases, it’s numeric data such as UPC barcodes and ISRC codes. As the music landscape becomes more digital and global, proper metadata is an increasingly important part of your release workflow. read more
Event hosted by the United States Copyright Office and the World Intellectual Property Organization
Tuesday, May 13, 2014
My name is Casey Rae and I’m the VP of policy and education for Future of Music Coalition, a Washington, DC-based national nonprofit organization for musicians. Future of Music works in three areas: research, education and advocacy. We came together back in 2000, right around the time of the initial digital disruption. Over the last 14 years, we have analyzed and documented trends in the music sector, translated complex policy and legal issues for our musician and composer constituency, and produced original research on everything from artists’ access to healthcare to commercial radio consolidation to our most recent study on artist revenue streams. read more
Interim Executive Director Casey Rae Speaks to MN Musicians and Composers
Monday, March 10, 2014
Good morning. Thank you for all for being here, and thank you for having me at the Minnesota Music Summit. It’s truly an honor to be joining you at this amazing event. Today, I want to explore the future of music, which is still being written, and which you all can play a part in writing. Some of the issues I’ll be bringing up will no doubt be familiar to you. Others may not be as familiar. But it’s not just about me giving some prepared remarks, it’s about dialog. It’s about the very real connections between people who are passionate about music, who create it and nurture it. And those are the connections that I love to make. In 2014, there’s no single approach to being a musician or composer, so it’s become critical that we listen and learn from one another.
Judiciary Subcommittee on Courts, The Internet, & Intellectual Property
Sunday, July 20, 2014
FMC has been closely monitoring the Subcommittee’s ongoing review of the Copyright Act, with special attention to musicians’ needs and perspectives. Here’s a chronology of events so far, with links to our coverage and commentary, along with video of the archived hearings.
How are musicians and songwriters compensated when their music is played on the radio, sold on digital platforms, webcast or streamed on interactive services? Click through any of the infographics below to see how the money flows, at least on US sales, performances and streams.
How are musicians and songwriters compensated when their music is played on the radio, sold on digital platforms, webcast or streamed on interactive services? Click through any of the infographics below to see how the money flows for on US-based sales, performances and streams.
The information in this infographic is subject to change based on ongoing litigation, business model development and federal policymaking. FMC does its best to keep up with these changes and update the infographics accordingly. read more
For the past twelve years, Future of Music Coalition has worked to inform and engage musicians and the music community on issues that impact artists and creative culture as a whole. Some of our work is very straightforward, such as reinforcing the notion that musicians have a range of views on a host of issues and must be included in discussions about their livelihoods. Some of it is nuanced, such as examining how artists are paid in the emerging digital economy and complex questions around copyright and technology. read more
Revenue streams, access to markets, and how musicians, labels and songwriters are compensated
Wednesday, April 15, 2015
How are recording artists paid when their fans buy downloads on iTunes? How are songwriters paid when their music is played on Pandora? Since our founding, Future of Music Coalition has provided musicians, managers and labels with the in-the-trenches details about how performers, songwriters and labels are each compensated when their music is either streamed or downloaded on an array of music services. read more
For decades, broadcasters have enjoyed an exemption that allows them to not pay performers and labels when they terrestrially broadcast music. This hardly makes sense, especially compared to digital services like Pandora or Sirius XM, which pay not only songwriters and composers, but also performers and sound copyright owners. This is why the recent deal struck between broadcasting behemoth Clear Channel and Big Machine Records to pay out for “terrestrial” spins seems so significant. read more