Who gets paid, how much and under what terms when music is played on digital and AM/FM radio? Answering those questions isn’t easy, even for experts. But one thing is clear: 2014 has been a big year for the laws and policies that determine royalty rates for all forms of radio, and the intrigue will likely continue into 2015. read more
On October 6, 2014, the Supreme Court made headlines by declining to hear several cases where federal appeals courts had upheld same-sex marriage rights on constitutional grounds, effectively making marriage equality the law of the land in several more states. On Tuesday, the 9th Circuit federal appeals court followed suit by rejecting same-sex marriage bans in Idaho and Nevada. But despite all these quickly moving changes, there are a still a number of federal laws that have yet to be updated to ensure that the federal government treats same-sex marriages equally. One proposed update is of particular interest to musicians, songwriters, and other creative professionals.
The court fights involving the use of recordings made before February 15, 1972 continue to rage on. Earlier, we told you about a ruling from a California court in a case brought by Flo & Eddie (formerly of the Turtles) against satellite broadcaster SiriusXM. Now the duo has filed another suit, this time against Pandora. (There is also separate litigation from the major labels against Pandora and SiriusXM in other courts). read more
Hailed as a new step towards a more open, responsive government, The White House’s petition site is in the news again as a key reason for the passage of a bill legalizing cell phone unlocking, signed into law this month. However, as a recent Time Magazine article points out, a handful of popular petitions are still awaiting a White House response despite having surpassed the 100,000 signatures mark, which was supposed to trigger an official reply. Among the petitions crossing this threshold were two that caught our attention: “Stop SOPA 2013” and “Stop SOPA 2014.”
Oddly, the Time article doesn’t mention that the White House already responded thoughtfuly and extensively to a petition about SOPA back in 2012. But much more disconcerting than the lack of official response to the new petitions is the fact that so many people have signed petitions expressing fierce opposition to legislation that they don’t seem to know doesn’t actually exist.
On July 24, the House Judiciary Subcommitee on Courts, Intellectual Property, and The Internet continued its ongoing review of copyright law with a hearing on the topic of Remedies. US Copyright laws give creators a number of exclusive rights controlling how their works can be used, but when one of those rights are violated, they must have options for recourse. As Rep. Jerrold Nadler (D-NY) noted, the legal maxim goes “there’s no right without a remedy.” That’s what this hearing addressed, and while there was consensus that the current system leaves plenty of room for improvement, a wide range of views were presented on what problems currently exist, and how to solve them. (You can watch the full hearing and read written testimony at the House Judiciary website.)
It used to be that big companies were able to define the parameters for debate about music industry issues, and make all the big decisions. What was good for corporate media and big money, we were told, was good for the artists, and for the music industry as a whole.
The desire to tell a more complete and accurate story centered on the needs and experiences of musicians was a big part of why Future of Music Coalition got started 14 years ago. By now, more people understand that the agendas of a handful of giant music companies may sometimes align with artists, but not always. In fact, these companies are very capable of misdirection when it benefits their bottom line. And tech companies don’t have a lot of experience working directly with artists, in part because the existing structures so often compel big-money negotiations with the major rightsholders. Today, we’re thrilled to see more and more artists speaking openly about the issues that impact their livelihoods. Independent labels are getting bolder too, in demanding fair treatment and respect for their different way of doing business.
Last week, beloved musical humorist “Weird Al” Yankovic dropped his new album Mandatory Fun. Propelled by a set of eight viral videos, it quickly rose to the top spot on the Billboard charts, his first ever #1, with over 104,000 album sales. Al recently told the New York Times, “I wasn’t thinking, ‘Oh, I’m on the bleeding edge of marketing, this is going to be a business model that will change the world.” But as a longtime (possibly obssessive?) fan of Al, I’d suggest there’s still a few things we can learn from him. read more
The House Judiciary Subcommittee on Courts, Intellectual Property and the Internet held its second hearing on music licensing on June 25, welcoming input from a variety of interest groups and organizations as a continuation of the ongoing reexamination of our country’s copyright system. You can find our coverage of the prior hearing here.
Nine witnesses testified before the committee, offering opinions that varied in focus but all highlighted major areas of potential reform. Witnesses for this hearing included singer/songwriter Rosanne Cash representing the Americana Music Association, Cary Sherman (CEO of the Recording Industry Association of America, or RIAA), Charles Warfield on behalf of the National Association of Broadcasters (NAB), Darius Van Arman on behalf of the American Association of Independent Music (A2IM), Ed Christian of the Radio Music License Committee (RMLC), Paul Williams as President of the American Society of Composers, Authors and Publishers (ASCAP), Chris Harrison of Pandora, President of SoundExchangeMichael Huppe, and David Frear, CFO of Sirius XM.
Earlier this month, Bloombergreported that streaming music host SoundCloud was close to finalizing licensing deals with the three major labels. The deals would reportedly grant each label an ownership stake in SoundCloud of 3-5 percent in exchange for their agreement not to sue over copyright infringement on SoundCloud. Meanwhile, a mini-controversy has erupted over Soundcloud’s implementation of its copyright enforcement procedures, making it important to separate fact from fiction.