Full Power FM

Artists' Pay for Radio Play: A View From the Green Room

by Kevin Erickson, Communications Associate

When I talk to friends about my work with FMC, they’re eager to hear about the behind-the-scenes excitement that fuels policy change. Perhaps they’re hoping for House of Cards-style political intrigue set amidst DC’s marble halls.

To be honest though, the most exciting part of my job happens in more humble settings—like a couple Tuesdays ago in NYC, when I got to see Tift Merritt and Marilyn Carino huddle in a corner of a backstage green room to practice harmonies, singing along with a phone’s tinny speaker: “You! You got what I neeeeed!” as David Byrne paced around staring at a lyric sheet, doing his best to memorize as much he could before taking the stage at Le Poisson Rouge. 

read more

Clear Channel Strikes Deal With Fleetwood Mac: But What About The Rest Of Us?

by Cody Duncan, FMC Policy Intern

Last week, in an event that was called “the first of its kind,” Fleetwood Mac entered into a direct deal with broadcasting behemoth Clear Channel, wherein the celebrated rockers will receive a share of advertising revenue for spins of their new EP, and Clear Channel will save on performance royalties for its online broadcast and streaming services. (Keep in mind that AM/FM radio is not obligated to compensate performers, but under the terms of this deal, Fleetwood Mac will receive revenue from over-the-air plays.) read more

Syndicate content