WASHINGTON, DC— Today, Comcast officially confirmed its decision to walk away from its 45-billion dollar deal to acquire Time Warner Cable. This merger was widely criticized by creators and consumers alike, and had previously been greeted with skepticism by the US Department of Justice (DOJ) and Federal Communications Commission (FCC). read more

[UPDATE: Numerous media outlets—including the New York Times—are now reporting that Comcast is walking away from its 45 billion dollar plan to acquire Time Warner Cable.]

Cable giant Comcast seemingly has it all: ownership of a major content studio (NBC Universal), the biggest slice of the cable and broadband market and an army of lobbyists and lawyers ready to press their advantage at the state and federal level.

But sometimes even MegaComcast has a bad week. read more

By FMC’s Casey Rae

This week, my inbox and social feed exploded with links to a keynote address given by engineer, musician and raconteur Steve Albini at the Face the Music conference in Melbourne, Australia. Then came another deluge concerning a rebuttal by Joseph Steinhardt of the independent label Don Giovanni Records.

At first, I was thrilled to be discussing something other than Taylor Swift and Spotify, but then I got a bit annoyed at the binary nature of the debate. Those in support of Albini tended to be musicians from older generations who in earlier years struggled with basic issues like access to audiences. Those moved by Steinhardt tended to be disillusioned about the economics of music today, accompanied by a general fatigue that comes with trying to cut through a noisy marketplace.

I won’t rehash the points made by either gentleman (which you can read here and here). Both critiques are relevant in the sense that they describe aspects of the challenges and opportunities of making a life in music. However, in both pieces there is a tendency towards totalizing one’s individual experience—however valid—and applying that to the music community writ large. This leaves a lot out, including other genres, genders, cultures, races, ages, business approaches and creative ambitions.

Creators gotta stick together. That’s why Future of Music Coalition is proud to join Writers Guild of America, West (WGAW) in urging the Federal Communications Commission (FCC) to block the proposed merger between cable and internet behemoth Comcast and the slightly smaller behemoth Time Warner Cable (TWC). 

We probably don’t have to tell you that both companies routinely win the top (dis)honor for worst customer service. What might be new information is how much control Comcast already has over what you see and hear. If the company is permitted to acquire TWC, they’ll possess unparalleled power over the future for music and video.

Our joint petition to deny the merger, filed before the FCC on August 25, 2014, makes the case that a combined company would reduce opportunities for creators of all kinds—including the folks that write for television and movies, as well as musicians and composers.