These are among the important issues facing musicians and composers in an evolving landscape for music. From local scenes to the global marketplace, from investment and innovation to policy and sustainability, there has never been a more important time for an open and honest discussion about the future of music. read more
This month, on the eve of a headlining performance at Chicago’s Pitchfork Music Festival, the rock band Wilco released a surprise new LP entitled Star Wars, making it available for free download through the band’s official website, in exchange for an email address (it’s also available for free though leading digital retailers iTunes and Amazon).
After we’d all had a few days to listen, the band followed up with an emailed note to everyone who downloaded the album:
[…]Now a bit of background… We consider ourselves lucky to be in the position to give you this music free of charge, but we do so knowing not every band, label or studio can do the same. Much of the “music business” relies on physical sales to keep the lights on and the mics up. Without that support, well, it gets tougher and tougher to make it all work.
Net neutrality. It’s an issue that impacts musicians, which is why FMC is so on top of it. By now, it’s obvious that today’s artists rely on the Internet for practically every aspect of their lives and careers. Net neutrality simply ensures that we can reach audiences and grow our businesses without discrimination from big companies like Comcast and Verizon.
On June 26, 2015 the U.S. Supreme Court ruled on Obergefell v. Hodges, legalizing same-sex marriage in all fifty states. We at FMC were among those celebrating this step forward for equality and civil rights.
In February 2014, 19 Recordings—a record label representing artists from the TV show “American Idol” like Kelly Clarkson and Carrie Underwood—sued Sony Music for allegedly withholding royalty payments totaling $7 million. In March of this year, U.S. District Court Judge Ronnie Abrams issued a ruling allowing some of these claims to go to trial. The upshot is that, while some components of the case will move forward, the court decided that others don’t hold water. Even more recently, Sony swung back with allegations of fiduciary mismanagement at 19.
Such a right already exists for digital radio platforms like Pandora, SiriusXM and all manner of webcasters. In fact, when a terrestrial radio station simulcasts its regular broadcasts over the Internet, it pays a royalty to performers and sound copyright owners (usually the label, but sometimes the artist). Yet massive companies like iHeartMedia, Cumulus Media and Entercom are exempt due to a loophole in US law.
Today (June 26, 2015), the Recording Industry Association of America (RIAA) announced that satellite radio company SiriusXMhave settled a lawsuit brought by labels against the service for not paying royalties on older recordings.
The $210 million settlement is being touted as a win for labels, and potentially a resolution to an open legal question that has bedeviled the industry for a while now: whether recordings made before February 15, 1972 are eligible for royalties when “publicly performed” on digital radio. read more
Every so often your pals at FMC take the weekend to do stuff like… make music. Seems like whenever we do, a major industry story breaks.
To wit: Taylor Swift’s open letter to Apple regarding the “free trial” period for Apple Music, during which the 12th largest company in world decided it would not be paying royalties to artists and rightsholders.read more
Over the last year, we’ve watched with excitement as the Federal Communications Commission (FCC) has granted new construction permits for over 1500 new low-power FM (LPFM) radio stations across the country. These new stations are claiming space on the public airwaves to better represent the full diversity of American voices, and include stations run by community groups, activists, churches, labor unions, and college students. These stations may only have a range of a few miles, but their impact on their local communities, including musicians, can be immense.
Now, some community radio advocates have asked the FCC to allow these stations to expand their reach. A petition currently under consideration at the Commission would create provisions for LPFM stations that meet certain criteria to broadcast at 250 watts rather than just 100, thus expanding their geographic reach and allowing more listeners the chance to tune in.