Today, the United States Copyright Office released Copyright and the Music Marketplace, the result of last year’s Music Licensing Study—a project that combined roundtables in various cities with opportunities for written comments from stakeholders and the public. (FMC participated in the roundtables and official docket; see our initial comments here; reply comments here.)
There’s so much in the 245-page report that it’s impossible to offer a full breakdown of the recommendations in a single blog post. In fact, we’re still making our way through it, but the Executive Summary provides an overview of many of the key provisions. We certainly respect the effort it took to produce such a detailed report, and commend Register of Copyrights Maria A. Pallante for taking the initiative with such a thorny and complex issue set.
by Kevin Erickson, Communications Associate & Jordan Reth, Policy Fellow
You may remember back in March 2013, when Register of Copyrights Maria Pallante—our nation’s highest ranking copyright official—told the House Judiciary Subcomittee on Courts, Intellectual Property and the Internet, “Music licensing is so complicated and broken that if we get that right, we can get the whole [copyright] statute right.”
Well, after more than a year of hearings examining the nation’s copyright laws from many different angles, that same subcommittee finally tackled music licensing directly on June 10. It was a wide-ranging discussion, touching on multiple pieces of legislation currently under consideration, offering a preview of legislation around the corner, and laying out a range of views of how music licensing ought to be structured.
Future of Music Coalition submitted the following comments to the United States Copyright Office in its Notice of Inquiry on the Music Licensing Study. We examine the state of music licensing in America, and how the current regime impacts musicians, songwriters and independent labels.