Every rising garage rock band or upstart emcee knows that when you’ve got a bunch of untested new material, one of the smartest things you can do is to load up the van and take your new stuff out on the road to see what the audience thinks.
Well, that’s exactly what the United States Patent and Trademark Office(USPTO) and the National Telecommunications and Information Administration (NTIA) are doing. Last year the Internet Task Force at the Dept. of Commerce authored a massive “Green Paper” addressing a wide range of digital copyright issues and asked for public comments. After an initial round of feedback, now they’re taking it on the road, hosting four roundtables around the country for the purpose of soliciting more public feedback to inform the agency’s recommendations. And you’re invited!
Future of Music Coalition filed the following comments with the United States Patent and Trade Office (USPTO) in an inquiry related to a previously published “green paper” from the Internet Policy Taks Force (a joint effort also including the United States Copyright Office and the National Telecommunications and Information Administration).
On November 19, 2010, FMC submitted comments to the United States Patent and Trademark Office (USPTO) and the National Telecommunications and Information Association (NTIA) in their Notice of Inquiry on Copyright Policy, Creativity and Innovation in the Internet Economy.
The comments describe the need to recognize musicians as stakeholders, particularly independents, who faced tremendous barriers to entry in the original music industry. We describe how the goal of protecting intellectual property must be balanced with a legitimate digital music marketplace built on artist access to online platforms.
We also examine current legal, technological and market-oriented efforts around copyright in the digital realm and the pros and cons of each. Given the global demand for music, the non-geographic nature of the internet and individual nations’ sovereign copyright laws, there are tremendous difficulties in implementing potential solutions. Nonetheless, there are compelling reasons to consider frameworks that streamline licensing and improve mechanisms for artist compensation.