When the powerhouse social media platform Twitter arrived in 2006, we saw some clear potential for music. 120-character text limitations aside, it seemed the service was destined to become a powerful engine for music discovery given the real-time, rapidfire exchange it facilitated.
One of the greatest promises of the digital revolution is that it would remove many of the barriers to instant listening gratification. For example: having to purchase a physical product from a retail establishment with limited shelf space, or waiting for a song you liked to come on the radio. To a large degree, that’s been accomplished — at no other point in history has it been easier to access vast catalogs of music online. The tension, however, has always been in finding business models that make sense for both creators and consumers. Today’s marketplace has a number of innovative, fully licensed music services, which is definitely encouraging. read more
Future of Music Coalition; National Association of Media Arts & Culture; Fractured Atlas
Tuesday, February 16, 2010
Every member of the arts community has been impacted by the unprecedented challenges and opportunities proffered by technology. This paper briefly examines some of the challenges and opportunities presented by the digital era, and also suggests how the development and maintenance of certain digital infrastructure is critical to a successful and resilient 21st century arts and cultural sector.
Wow. No sooner do we report on an artist doing the DIY thing (see yesterday’s piece on Erin McKeown), then we stumble across a tale that will probably go in the digital DIY storybook (not sure who publishes that). read more