You may have heard that the United States Department of Justice (DOJ) is investigating potential anticompetitive behavior by major music publishers and Performing Rights Organizations (PROs), which collect and distribute royalties to songwriters and publishers for the performance of musical compositions. These “blanket licenses” are made possible by DOJconsent decrees and cover all forms of broadcast as well as concert venues or other establishments that publicly perform music (think bars or restaurants).
Make no mistake, PROs are crucially important to songwriters. They provide leverage to artists who wouldn’t otherwise have it in rate negotiations with music services; they pay their songwriter members directly under fair splits (50-50 between artist and publisher); and they allow music to be efficiently licensed to AM/FM, Internet and satellite radio, which means listeners have more opportunities to hear music, and songwriters have more opportunities to get paid.
There’s a reason FMC is so often aligned with independent labels: this community, representing a diverse array of genres and business models, typically does right by artists. Today’s news that more than 700 indies are backing fair treatment of musicians is further proof that indies have a different way of doing business than major labels.
Independent imprints including Domino, Cooking Vinyl, Epitaph, Glassnote, Nettwerk, Ninja Tune, Secretly Canadian, Saddle Creek, Sub Pop, Tommy Boy, XL Recordings and the Beggars Group (which includes indie powerhouses 4AD, Matador and Rough Trade) and many more signed on to the “Fair Digital Deals Declaration,” a commitment by the labels to treat artists fairly and equitably on today’s digital distribution platforms.
This week marked a frustrating setback for lovers of college radio, as a deal went into effect that splits the broadcast schedule of Georgia State University’s radio station, WRAS, handing over control to Georgia Public Broadcasting. Under the terms of the deal, GPB will control the 100,000 watt broadcast from 5 a.m. to 7 p.m. Mondays through Friday and from 8 a.m. to 6 p.m. on the weekends, leaving GSU students with the remaining hours each day and 24 hour control of the station’s webcast. Additionally, GPB will be proving an undisclosed number of internships to GSU students, but this was little consolation for the loss of the precious terrestrial airtime.
In yesterday’s congressional hearing on music licensing, Chris Harrison, VP of Business Affairs at Pandora, expressed concern for the viability of internet radio, making reference to popular internet broadcaster East Village Radio having shut down its operations last month, “because they couldn’t afford the [royalty] rates.” As fans of EVR’s wildly eclectic programming, we were saddened to hear that the station was closing down. But Harrison’s account of the reasons behind the closure isn’t the full picture.
Yesterday (June 25, 2014), the House Subcommittee on Courts, Intellectual Property and the Internet held yet another hearing in its ongoing review of existing copyright law. (Our full recap is here; check out our coverage of the full series of hearings here.) Today, we’ll focus on one particular topic that has come up repeatedly in Congress and elsewhere: the lack of federal copyright protections for recordings made before February 15, 1972. read more
This week, the Canadian government opted to dramatically change the labor regulations placed on non-Canadian acts touring in Canada. The decision essentially reverses last summer’s decision that drew the ire of the American Association of Independent Musicians (A2IM) and the Canadian Independent Music Association (CIMA) among others.
After a long delay, on Thursday, June 2, Dr. Jane Chu was confirmed by the Senate as the 11th chairperson of the National Endowment for the Arts. Chu, who succeeds acting chair Joan Shigekawa, was nominated for the position by President Obama in February after a vacancy of more than a year following former chair Rocco Landesman’s departure. This week, she’ll make her first public appearance as Chair on Friday morning’s National Council on the Arts meeting.