Hello world! I’m Kelsey, FMC’s Policy Intern for fall 2015. I’m so excited to be coming on board with the 15th annual Future of Music Policy Summit less than 2 months away on October 26 and 27 here in DC. As always, we have two packed days of keynotes and panels that will help you navigate the Wild West of today’s intersecting music and tech industries with an eye towards the policy issues that influence it all. Now we all play favorites, so here are some of the talks I’m looking forward to the most. (Check out the full lineup; more speakers are added daily!)read more
Earlier this month, the New York Times Magazine reached out to Future of Music Coalition with regard to a forthcoming feature. We like to help out with this sort of thing, because we know that music business structures and practices can be quite complicated, and think it’s important that journalists get the facts and context as correct as possible, whatever narrative they’re advancing. Last week, fact-checkers from the magazine followed up with FMC staff. There was a good deal of back and forth as we were provided short paragraphs, and later, individual sentences, from the article and asked to verify whether they were “true.” (Unfortunately, we weren’t provided with much context.)
Alas, what ended up running was rather disappointing.NYT Magazine chose to publish without substantive change most of the things that we told them were either: a) not accurate or b) not verifiable because there is no industry consensus and the “facts” could really go either way.
Music lovers everywhere: it’s time to tune in, turn the volume up, and celebrate because Thursday, August 20 is National Radio Day. This holiday has been celebrated since the early 1990s on Aug. 20, honoring the day the first news radio station, 8MK radio in Detroit was licensed by the FCC and went on the air in 1920. But this year’s event is going to be the biggest yet, as dozens of noncommercial stations across the country will be participating. And you can participate too by visiting www.nationalradioday.com. read more
On July 7, SESAC announced that it would be purchasing the Harry Fox Agency (HFA), an acquisition that will, for the first time, combine the roles of performance right management and mechanical royalties collection under one roof. The deal was made between SESAC and the National Music Publishers Association, which has owned HFA since 1927. SESAC, the smallest of the three major Performing Rights Organizations (PROs), is the a for-profit entity; unlike larger PROs ASCAP and BMI, it is not currently governed by consent decrees. read more
This month, on the eve of a headlining performance at Chicago’s Pitchfork Music Festival, the rock band Wilco released a surprise new LP entitled Star Wars, making it available for free download through the band’s official website, in exchange for an email address (it’s also available for free though leading digital retailers iTunes and Amazon).
After we’d all had a few days to listen, the band followed up with an emailed note to everyone who downloaded the album:
[…]Now a bit of background… We consider ourselves lucky to be in the position to give you this music free of charge, but we do so knowing not every band, label or studio can do the same. Much of the “music business” relies on physical sales to keep the lights on and the mics up. Without that support, well, it gets tougher and tougher to make it all work.
Net neutrality. It’s an issue that impacts musicians, which is why FMC is so on top of it. By now, it’s obvious that today’s artists rely on the Internet for practically every aspect of their lives and careers. Net neutrality simply ensures that we can reach audiences and grow our businesses without discrimination from big companies like Comcast and Verizon.